The best Canon cameras for shooting video

"There is a lot to think about when you're selecting a camera, but the first consideration should be how you intend to use the video," says Mike. "For instance, the 8K capabilities of the Canon EOS R5 C and EOS R5 may grab your attention, but it's important to remember that this will affect your file storage and computer processing requirements. In fact, if you're only planning to produce short video clips for social media, 4K video may be more than enough. However, shooting in high resolution brings scope for cropping down to Full HD to create alternative framing in processing, which means you only need to shoot everything once.

"If you're an experienced videographer, the ability to shoot in Canon Log is also very appealing because it produces files that are perfect for post-capture grading and can be matched in with clips from other cameras, including the Cinema EOS range," Mike continues. "But if you're just getting started, or you need to work quickly, you may be more interested in what the camera produces with an in-camera Picture Style."

"The Canon EOS R5 C is a video-focused version of the EOS R5, with added features specifically for professional filmmaking," explains Aron. "The ergonomics are similar, but with its built-in fan, the EOS R5 C can record for long durations no matter what mode you are in. And being a dedicated cinema camera, there’s no limit on recording time."

The EOS R5 C has a three-way power switch to choose between photo/video mode. Video mode boasts a host of options not usually seen in mirrorless cameras: you can import your own LUTs; set your shutter angle to 180°; and take advantage of waveform monitors and false colour tools. A front tally lamp indicates recording and the timecode in/out terminal is particularly useful for synchronising multiple cameras at once. In addition, attaching TASCAM's CA-XLR2d Audio XLR Adapter to the Multi-function accessory shoe gives you XLR input options.

There is a reason the EOS R3 is Canon's flagship mirrorless camera. The ideal solution in difficult lighting or weather conditions, on lengthy shoots or when working with tricky subjects, it's not just reliable and robust, but also lightning fast. Like its flagship DSLR counterpart, the Canon EOS-1D X Mark III, the EOS R3 is as tough as they come.

"The EOS R3 is weather-sealed and can withstand harsh environments – rain, snow and sand," explains Mike. "It has a large battery, which allows it to work in colder conditions and shoot for longer. Likewise, it can shoot for long periods of time in high temperatures without overheating. You can also power by USB to run the camera via a powerbank and charge remotely. Focusing is down to -4EV for video, and you still get the same face tracking and vehicle tracking modes that you get in stills, even in dull, dark conditions."

Both the Canon EOS R5 and the EOS R6 (best all-rounder, below) are built around Canon's groundbreaking RF mount, but thanks to a range of EOS R Adapters, are fully compatible with Canon EF or EF-S lenses.

Muhammed Muheisen is a photojournalist who has twice won a Pulitzer Prize, and is currently based in Greece. Muhammed used to shoot with two Canon EOS 5D Mark IV cameras, one set up for stills and the other for video. He had reservations about switching to the Canon EOS R5 but says he has adapted quickly. "It's two cameras in one," he explains. "The 8K capability is a revolution – I can shoot video and extract 35MP images."

With extra-wide dynamic range thanks to Canon Log, combination IS, 4K video at up to 60p, and support for 10-bit 4:2:2 internal recording, the Canon EOS R6 is a versatile filmmaking tool. Like the Canon EOS R5, it has a vari-angle touchscreen. "Although some filmmakers may prefer to connect to an external monitor, the vari-angle screen is incredibly useful," says photographer and filmmaker Clive Booth. "It means you can keep the kit small and light. I use it all the time. The ability to move focus with a tap on the screen makes the camera intuitive, and being able to change the speed of focus adjustment via the menu ensures that you get the look you want in your movies."

Vlogging often involves holding the camera at arm's length, so ideally you want something small and light. "The 24MP APS-C format Canon EOS M50 Mark II weighs just 388g but it has both a built-in viewfinder and a vari-angle touchscreen," says Mike. "That flip-around screen is essential for vloggers, and the Canon EF-M 11-22mm f/4-5.6 IS STM lens makes a perfect partner when shooting at arm's length. It is stabilised and has an STM (stepping motor) focusing system to avoid any unwanted sound. Despite its small size, the Canon EOS M50 Mark II has an external mic port, which means you can record high-quality audio when you're ready to take the next step.?